the Cure Logo and Band Picture

Stop the presses, turn up the eyeliner, and dust off your black nail polish—the mope masters themselves, The Cure, have returned! Yes, after what feels like forever (or exactly 16 years, but who’s counting?), Robert Smith and his band of not-so-merry men have crawled out from the gloomy shadows to gift us with their first new song in over a decade. The track is fittingly titled “Alone”—because why rush a title that perfectly captures the state of waiting for new Cure music all these years?

And folks, they’ve taken their sweet, brooding time. Clocking in at nearly seven minutes, “Alone” doesn’t just make a statement—it makes you sit in it, and marinate, and feel every glorious, desolate second. Grab your tissues and let’s dive into what makes this momentous release so Cure-tastic.

A Brief History of The Cure: A Journey Through Gloom and Glitter

For those of you who’ve somehow avoided the endless ocean of angst that is The Cure, let’s rewind and hit the highlights.

The Cure formed in 1978, when Robert Smith, then a hopeful 19-year-old, asked himself the important life question: “How can I make millions of people sob uncontrollably to the sound of a guitar riff?” With that, he birthed The Cure—a band that would redefine melancholy, heartbreak, and staring wistfully out of rain-soaked windows.

The band’s early work was a blend of post-punk, gothic rock, and a dash of new wave, each song a masterclass in making your teenage angst feel utterly profound. From their 1979 debut Three Imaginary Boys to their legendary 1989 album Disintegration (widely considered their magnum opus), The Cure’s music evolved into a beautifully gloomy cocktail that generations have clutched to their chests while saying things like, “You don’t understand me, Mom!”

The Cure’s Greatest Hits: Songs to Cry, Dance, and Stare Into the Abyss To

Before we get to “Alone,” we need to appreciate just how many chef’s-kiss songs The Cure has dropped over the years. In case your Spotify needs a gothic refresher, here are a few of their iconic tracks that might have gotten you through some dark times—or at least a particularly emo phase.

  • “Boys Don’t Cry” (1980): Robert Smith might say that boys don’t cry, but let’s be real. This song alone has caused millions to bawl, gender notwithstanding. With jangly guitars and a danceable beat, this early anthem was the band’s first real “don’t mind me, I’m just emotionally spiraling” hit.
  • “Just Like Heaven” (1987): Ah, the sweet, shimmering sound of being in love but also vaguely miserable about it. This track is an absolute bop that reminds us that even at their happiest, The Cure is just one minor chord away from total existential collapse.
  • “Lovesong” (1989): This gem off Disintegration is quite possibly the most romantic track to ever be drenched in sadness. It’s the perfect wedding song… if your idea of romance includes inevitable doom and emotional ambiguity (which, for Cure fans, it totally does).
  • “Friday I’m In Love” (1992): For a band that’s basically synonymous with brooding, this upbeat single threw everyone for a loop. With lyrics like, “I don’t care if Monday’s blue,” they finally let us know it’s okay to feel joy. Briefly. On Friday. And then we return to our regularly scheduled melancholy.
  • “Pictures of You” (1989): Has a breakup ever sounded more poetically tragic? This anthem of lost love is the gold standard for wallowing in your feelings while flipping through an album of Polaroids (or scrolling through your ex’s Instagram, if you’re living in 2024).

Fast Forward 16 Years: The Cure Is “Alone” (But Aren’t We All?)

And now, we arrive at the present day. Robert Smith—who somehow hasn’t aged since Disintegration (seriously, what’s his skincare routine?)—has graced us with a new song: “Alone.” Released on a Thursday, because of course The Cure wouldn’t be predictable and drop it on a Friday, the track is everything you’d expect from a band that invented mope-core.

Clocking in at a solid 6 minutes and 41 seconds (yes, we timed it), “Alone” opens with the kind of ominous, slow-burn that makes you think, Should I grab a blanket and prepare for an emotional unraveling? Yes. Yes, you should. This is The Cure, after all.

Lyrically, Robert Smith reminds us that he’s still the reigning king of existential musings. His voice, more haunted than ever, sings about isolation, disconnection, and the endless void that is the human experience. You know, fun stuff! But here’s the thing—despite all that doom and gloom, it feels like an old friend has returned. A friend who insists on making you feel all the feelings at once while slowly sipping black coffee in a darkened room.

And the song’s slow, deliberate pace? Oh, it’s intentional. Robert Smith didn’t wait 16 years just to give us a snappy pop single—he wants you to sit in that discomfort, to wallow in the drawn-out sadness, because no one does that better than The Cure. It’s almost like the musical equivalent of those people who take an extra-long pause before telling you something dramatic. You’re waiting, hanging on every note, knowing full well that when the crescendo hits, it’ll be gloriously devastating.

The New Album: Will It Be “Disintegration” 2.0?

“Alone” is reportedly the first taste of The Cure’s upcoming album, tentatively titled Songs of a Lost World. If the title alone didn’t already send you spiraling into a spiral of introspection, then congratulations—you’ve achieved emotional zen, and I applaud you.

Rumor has it the new album will dive deep into themes of loneliness, existential dread, and (surprise!) heartbreak. Which, let’s be honest, is exactly what we want from a Cure album. It’s like ordering your favorite comfort food on a rainy day—no one’s asking for a salad, and no one’s asking Robert Smith to start writing songs about puppies and rainbows.

Smith himself has described the album as “mercilessly doom and gloom,” which is both a warning and an invitation. So, prepare yourselves, Cure fans, because this might just be the soundtrack to the most dramatic year of your life—and let’s face it, you’re here for it.

Why “Alone” (and The Cure) Matters in 2024

In a world full of TikTok dances, instant gratification, and autotuned bangers, there’s something deeply refreshing about a band like The Cure taking their time to craft a nearly seven-minute masterpiece that’s all about feeling… well, everything.

It’s almost rebellious to be this slow, this melancholic, and this unbothered by the passing trends of modern pop music. The Cure isn’t just a band; they’re a mood, a movement, and a lifestyle choice. And in 2024, when everyone’s rushing to the next shiny new thing, The Cure is here to remind us that it’s okay to be sad, to take your time, and to stare into the void while contemplating your entire existence.

So, while it might have taken them 16 years to release “Alone,” the timing is perfect. The Cure has been found again, and we’re all a little better off for it. Plus, we finally have the soundtrack for all those long, dramatic walks in the rain we’ve been meaning to take.

In conclusion: The Cure is back, they’re still as delightfully moody as ever, and we couldn’t be happier. Well, we could, but where’s the fun in that?

Go ahead, embrace your inner goth. You know you want to.

#TheCureIsBack #RobertSmithReturns #Alone2024 #NewCureMusic #GothRockForever #EmoForLife #MelancholyNeverLookedSoGood

author avatar
Dorey Duncan Scott Senior Litigation Paralegal
Hi! I’m Dorey Duncan Scott, a mother of three, wife and fashion entrepreneur. I started my career in fashion back in the early 90’s when I did print, still and runway modeling. I studied Fashion Merchandising, Music Business and Marketing, while also obtaining certificates in such industry-necessary areas such as make-up, styling and runway choreography. In addition, I had work as a spokesmodel for several brands, appearing in print and in person. As a former model, turned senior litigation paralegal, artist manager and on-air personality with a passion for fashion, beauty, and personal development, I bring a unique combination of style, strategic thinking, and legal expertise to my work. My years navigating the legal world have sharpened my attention to detail, while my experience and passion for fashion, beauty, and personal development drives my desire to help others feel empowered and help them in their journey toward self-empowerment. My experience in the fashion world has taught me the power of confidence. 
Verified by MonsterInsights